The Project Gutenberg EBook of The Story of a Picture, by Douglass Sherley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Story of a Picture Author: Douglass Sherley Release Date: February 18, 2005 [EBook #15095] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE STORY OF A PICTURE *** Produced by Kentuckiana Digital Library, David Garcia and the PG Online Distributed Proofreading Team. _A Dainty Trifle for my Lady Love_ THE STORY OF A PICTURE _By Douglass Sherley_ * * * * * John P. Morton & Co., Louisville, 1884. Copyrighted 1884, By Douglass Sherley. * * * * * "Near my bed, there, hangs a Picture jewels could not buy from me." * * * * * There was a colored crayon in a crowded shop-window. Other people passed it by, but a Youth of the Town, with Hope in his heart, leaned over the guard-rail and looked upon the beauty of that pictured face long and earnestly. It was the head of a pretty girl with dark hair and dark eyes. She was clad in a dainty white gown, loose-flowing and beautiful. In her left hand, slender and uplifted, a letter; in her right a pen, and beneath it a spotless page. She was seated within the shadow of a white marble chimney-piece richly carved with Cupids, fluttering, kneeling, supplicating; with arrows new, broken, and mended; with quivers full, depleted, and empty. The great, broad shelf above her pretty head was laden with rare and artistic treasures. A vase from India; a costly fan from China; a dark and mottled bit of color in an ancient frame of tarnished gold, done by some Flemish master of the long-ago. Beyond all this, a ground of shadowy green, pale, cool, and delicious. On the table, near the spotless page and the dear pen-clasping hand, a bunch of flowers; not a mass of ugly blooms, opulent and oppressive, but a few garden roses, old-fashioned and exceeding sweet, blushing to their utmost red, having found themselves so unexpectedly brought into the presence of this pretty girl. This, in outline, was the picture. The dealer had written on a slip of paper, in large, rude letters, _Her answer: Yes, or No._ It was a frameless crayon, thrust aside and somewhat overshadowed by a huge and garish thing in gaudy-flowered gilt, which easily caught and held the eye of the busy throng. The Youth passed on to his duty of the day with Hope in his heart. Light grew his heavy task, and the drudgery of his work was forgotten--he was haunted by the sight of that face in the Picture. The softness of the eye, the sweetness of the mouth, or something, made the Youth of the noisy Town believe her answer would surely be--Yes. Now the Youth and the Afternoon Shadows together came and feasted on the beauty of that Maiden's face. The Shadows, without booty, fled away into the night. But not so with the Youth. In triumph he brought it to the favored room of his own dear home; and always thereafter this Picture gleamed in beauty from out its chimney-piece setting of ebony and old cherry. She was always pretty, sometimes beautiful, but not always the same, this my Lady of the Picture. She was indeed a changeful Lady, as the story will tell. Those who saw her face when first she was given the place of honor in the home of this Youth, with Hope in his heart, all said, and with one accord, "There is but one answer for her to make, and that one answer is, Yes." The Easter-tide growing old, and the Summer time new and beautiful, brought no change. The last light of each day fell on the clear-cut and delicate face, gilded the dark hair with a deep russet brown, played about the sweet mouth--and was gone, leaving her with answer yet ungiven. The first fire of the Autumn crackled and glowed on the tiled hearth, and threw a Shadow on the face of the pretty girl in the Picture; and from that moment there was a change. "But it is only a Shadow from the fire-light glow," said the Youth of the Town. But something within whispered, "You are wrong; she is going to say, No." Again and again the words repeated themselves, clearly and distinctly, "You are wrong! you are wrong! you are wrong!" Then vaguely and almost inaudibly, "She is going to say, No;" with his own voice he made effort to drown the words of that fateful refrain. "It is the idle, spiteful chatter of some evil spirit. My heart is full of Hope, and I will not believe it." But that night, alone with his book and the face over the fire, only embers on the hearth--_the Shadow was still there_. But he said that it was a wild and troubled fancy--"It is not, can not be an actual Shadow; women may change, but surely not pictures." The next day Autumn repented of its wanton folly, and called out with Sunshine and Brightness for the return of the dead Summer. The light fell on the face of the girl in the Picture, but it did not lift the Shadow. Nor did the dead Summer return to gladden the heart of the Autumn, full of too late and useless regret. "No, I am not certain," said the Youth, touched with a Doubt. It was only a touch, but his step was heavy and a trifle less quick, as he went down the street to his Duty of the day. Again he passed by the crowded shop window. The dealer had filled the vacant corner; but he did not see, and he did not care to see, what was there. For there was now only one picture in all the world for this Youth of the Town with Hope in his heart; but something else had crowded into his heart, and it was--Doubt. He went on his way and about his duty with this one hopeful thought: "The nightfall will bring a change, and the Shadow will have gone." But each day the Shadow deepened, and the Youth carried with him a more troubled and a less hopeful heart. All those who saw the Picture, and who had seen it when first it came, now looked upon it with painful surprise, and unhesitatingly said, "Your pretty-faced girl over the mantel yonder is undoubtedly going to say, No." Into the soft, dark eye there seemed to have crept a glitter, cold and almost unfeeling. The fatal Shadow had hardened, but not altogether stolen away the beauty of that sweet mouth. Even the loose-flowing gown seemed to have lost its easy grace, and stiffened into splendid and haughty folds, fit only for the form of some grand old Dame proud of her beauty and proud of her ancient coronet. The very lace about her slender throat--but a misty web of dainty and intricate work--seemed to have crystallized and whitened, as if done with a sharp and skillful chisel. The pale, pinky tinge about the perfect little ear had deepened into a more rosy hue, which had overspread the face--barely more than pale--with a deep color and a glow of emotion only half concealed. Ah, was it a look of triumph? was it the consciousness of power? The left hand, holding her Lover's letter, had lost its somewhat tremulous look. The fingers of the other hand had tightened about the pen, hovering over that unwritten page. And, in short, she seemed ready to write the answer--what will it be? The heart of the Youth was full of Trouble. Hope flickered up into an uncertain existence. Now the Picture had grown hateful to his sight; so a silken curtain, in crimson folds, clung against and hid away the face of this Changeful Lady. But no sooner was the curtain drawn, hiding from sight the lovely and beloved face, but an all-powerful desire brought him back again, and lo! the curtain was rudely thrust aside; but alas! there was no change. When away from his room and the siren-like face behind its silken folds of crimson, he fretted to return and look again for a change wrought out by his brief absence; but there was none. Hateful indeed the sight may have been of that changeful face, but it had grown to him absolutely necessary, and more pleasant, indeed, even when hard, cold, and unkind, than other faces not less beautiful smiling sweet unspoken words. He slept in a curtained space near by, and often waked in the still watches of the after-midnight, with the Hope in his heart, flaring up into a flame and burning him with a desire for another sight of that fickle face. Before the picture there hung a dim, red light, which burned all the night long. It was a swinging lamp of many tangled chains and fretted Venetian metal work. Once it had swung before an holy altar in an ancient Mexican town, where it had shed an unextinguished light throughout many years. It was a holy thing; so the Youth had thought it worthy of a place before the deep-set Picture of the chimney-piece--the shrine of his heart's treasure. Thus awakened out of troubled sleep, he often rose and stood before the covered Picture, beneath the swinging red light brought--stolen, perhaps--from the sacred sanctuary of that ancient church down in the land of Mexico. Often, with Hope, Doubt, and Fear in his heart, he would turn away from before the untouched curtain. "Useless, useless, useless," would be the burden of his thought. The third Easter-tide comes with its brightness, its flowers, and its Hopes--yet my Lady of the Picture has not changed. Still that same relentless look; still that premonition of a No not yet said; still in her left hand she holds the letter; still in her right hand the pen, and the page beneath it is yet guiltless of a word. But frowns and relentless looks have not put to flight the remnant of Hope in the heart of the Youth. "It is only a picture. Why should I trouble?" he said. But words are easy, and many questions are hard to answer. The Youth had loved the face when first he saw it in the crowded shop-window of the Town. So did he love it now. Change can not kill Love, if Love it be. What matter to the Youth even if the eye had grown cold and a Shadow rested about the sweet mouth? Can such things as these make denial to the heart of a Lover? Aye, to the heart of a Love-maker, but not to the heart of one who loves. There is no limit to Love. A thousand nays can not check its course if true Love it be. But again there is a change with my Lady of the Picture. Does the heart of the advancing Easter-tide hold the magic spell? Those who chance to see her now note it, and think it strange. "No," they murmur, "will be her answer. But it is her Duty that bids her, and she must obey." The silken curtain is torn down and the light of day completes the triple story of this, my Lady of the Picture. The cold glitter is gone from about the eyes, and the old soft light has returned, and yet it is not the same as of old. The fatal Shadow round about the sweet mouth is but a bare outline--a shade, not a Shadow any more. Again the pretty white gown is loose--flowing and beautiful. The thought of the grand old Dame, proud of her beauty and proud of her ancient coronet, vanishes with the morning mist of the Easter-tide. Again the dainty lace that clings to her slender white and flower-like throat, softens and grows creamy and weblike, free from the bleachment and crystallization of a while ago. Again the face is barely more than pale. The deep color has faded away, leaving but a faint, delicate trace, and a pinky tinge which reaches out until it kisses the utmost tip of her perfect little ear. How deep, tender, and wondrous sad those eyes have grown! Down in their dark depths her very soul seems to tremble into sight. It is only one who has suffered who can have such eyes. And, in truth, it is worth almost a lifetime of suffering to look deep down into such eyes of sad beauty. She was but a pretty-faced girl; but now, behold! she is a beautiful woman. And she is weary, O, so weary with the long, hard battle within. But Fear and Doubt still dwell and share with Hope a place in the heart of the Youth. He finds it sweet comfort to believe that even if her answer be No, it may come from a sense of Duty. Love is Love always, but not so with Duty. For that which may be Duty to-day may not be Duty on the morrow. So the Youth of the Town longs for the coming of the morrow. Who wrote, and sent to her with those sweet red roses from some old-time garden, this, his Lover's letter, which she still is holding in her left hand, once again just a trifle tremulous? Who has asked this question of a woman's heart? Is he a man strong and noble, whom she does not love, yet does not wish to wound? Or is it some one less strong, less noble, who has her Love, although he be unworthy of it? And does Duty bid her make denial, even though it break her loving heart? Is it Regret, Duty, Love, or What? But still she gives no answer. And the Youth of the Town is still hoping, doubting, fearing. Ah, my sweet, sad-eyed Lady, what will your answer be? Sherley Place, Easter-tide, 1884. End of Project Gutenberg's The Story of a Picture, by Douglass Sherley *** END OF THIS PROJECT GUTENBERG EBOOK THE STORY OF A PICTURE *** ***** This file should be named 15095.txt or 15095.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/5/0/9/15095/ Produced by Kentuckiana Digital Library, David Garcia and the PG Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.net This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks. |
339 Users Online
$10000-above $5000-$9999 $2000-$4999 $1000-$1999 $500-$999 $200-$499 $100-$199 $50-$99 $25-$49 $0-$24 Gift Certificate |
|